Oxford Philosophical Concepts

Series Editor's Forward


Oxford Philosophical Concepts (OPC) offers an innovative approach to philosophy’s past and its relation to other disciplines. As a series, it is unique in exploring the transformations of central philosophical concepts from their ancient sources to their modern use.

OPC has several goals: to make it easier for historians to contextualize key concepts in the history of philosophy, to render that history accessible to a wide audience, and to enliven contemporary discussions by displaying the rich and varied sources of philosophical concepts still in use today. The means to these goals are simple enough: eminent scholars come together to rethink a central concept in philosophy’s past. The point of this rethinking is not to offer a broad over-view, but to identify problems the concept was originally supposed to solve and investigate how approaches to them shifted over time, sometimes radically. Recent scholarship has made evident the benefits of reexamining the standard narratives about western philosophy. OPC’s editors look beyond the canon and explore their. concepts over a wide philosophical landscape. Each volume traces a notion from its inception as a solution to specific problems through its historical transformations to its modern use, all the while acknowledging its historical context. Each OPC volume is a history of its concept in that it tells a story about changing solutions to its well-defined problem. Many editors have found it appropriate to include long-ignored writings drawn from the Islamic and Jewish traditions and the philosophical contributions of women. Volumes also explore ideas drawn from Buddhist, Chinese, Indian, and other philosophical cultures when doing so adds an especially helpful new perspective. By combining scholarly innovation with focused and astute analysis, OPC encourages a deeper understanding of our philosophical past and present.

One of the most innovative features of Oxford Philosophical Concepts is its recognition that philosophy bears a rich relation to art, music, literature, religion, science, and other cultural practices. The series speaks to the need for informed interdisciplinary exchanges. Its editors assume that the most difficult and profound philosophical ideas can be made comprehensible to a large audience and that materials not strictly philosophical often bear a significant relevance to philosophy. To this end, each OPC volume includes Reflections. These are short [no comma here] stand-alone essays written by specialists in art, music, literature, theology, science, or cultural studies that reflect on the concept from their own disciplinary perspectives. The goal of these essays is to enliven, enrich, and exemplify the volume’s concept and reconsider the boundary between philosophical and extra- philosophical materials. OPC’s Reflections display the benefits of using philosophical concepts and distinctions in areas that are not strictly philosophical, and encourage philosophers to move beyond the borders of their discipline as presently conceived.

The volumes of OPC arrive at an auspicious moment. Many philosophers are keen to invigorate the discipline. OPC aims to provoke philosophical imaginations by uncovering the brilliant twists and unforeseen turns of philosophy’s past.

Christia Mercer
Gustave M. Berne Professor of Philosophy
Columbia University in the City of New York